Road Trips

What can road trips tell us about the good life? They’re a North American icon, after all. Most of us have some tale to tell about a great road trip. Every generation seems to produce at least one classic movie about them, from Thelma & Louise to The Hangover. What is it about the open road that’s so appealing?

Albert is a thirty year old contractor with his own business. He used to race bikes semi-professionally, and he’s traveled all over the world for training and competitions. He’s at once a sound guy and rather roguish: in his wilder years, you’d have trusted him with your firstborn but maybe not your sister. Now he’s married with a baby of his own and he’s a little more sedate, although there’s still mischief in his eyes. I asked him to tell me about a really great time in his life and he told me about a road trip.

“One of the best times I ever had was driving across the country by myself. I’d never spent that kind of time alone. I bought dozens of CDs, thinking I’d have listen to them non-stop to keep me going. But as it was, I gave them all away at a gas station only twelve hours into the trip. I was having too much fun just driving and thinking.”

I asked him why it was fun.

“I guess you’d call it soul-searching fun. I’d been partying pretty hard on the West Coast, and I realized that it was turning a little negative for me. I decided to drive all the way back home. Two thousand miles. I knew it was going to be hard. It was winter. There were places that were dangerous. But I wound up planning my whole future over those four and a half days. It was like a rite of passage.”

Now Albert loves travel and adventure, so it’s not all that surprising that he loved his trip, even if it was in the dead of winter. But then I ran into someone else who also said that a road trip represented one of the best times in his life. And this was someone unlikely. This was my father.

When I was last home, I asked my father to tell me about times in his life that he’s really had fun. Knowing him, I figured it was a slam dunk he’d talk about the fun he has investigating and buying new gadgets, I mean, technologies. My father has always been the quintessential early adopter. He has subscriptions to technology magazines so arcane, most engineers haven’t heard of them. He’s the guy who shows the cool twenty year olds how to use the functionality on their iPhones. Indeed, one fateful year, he upstaged one of my best friends at her own wedding by showing up with the first digital camera anyone had ever seen. (She has since forgiven me: he took wonderful pictures, and she thought the camera was cool too.)

But my father surprised me. Instead of describing the joys of shiny new devices, he told me about a road trip.

In the mid-1960s, my Dad needed to get from Vancouver to Toronto to take up a training position in public health at the University of Toronto. He and my mother owned a silver 1960 Sunbeam convertible, an excellent specimen of the genus “beloved but temperamental English sports car”, and they decided to see if they could coax it across the thousands of miles they’d need to cover between the two cities. They set off in the middle of summer:  my Dad drove, my mother rode shotgun, and John, my then two-year-old brother, sat in the back with Fred, our large and extremely vocal Siamese cat. They ambled across the country over three weeks, stopping wherever their fancy took them. They explored national parks, small towns and interesting attractions, and, since they didn’t have much money, they ate a lot of picnics. To look at a picture of the car, which was minute, it scarcely seems credible:  a toddler and a cat? In an English convertible? Three weeks?

I told my father that it sounded like a recipe for hell.

“On the contrary,” he said. “I think it was some of the most fun I’ve ever had. We had a real sense of adventure, of exploring the unknown. And sharing the experience with your mother was a lot of fun. I really liked it because it felt like we were partners in this adventure. I look back on it as one of the happiest times of my life.”

By this point in the story, I thought my father was pulling my leg. He’s not much of a traveler, and my mother frankly hated it. Case in point: we had never gone anywhere as a family when I was growing up.  I helpfully pointed this out to him.

“That’s true,” my father acknowledged. “But, you see, there was necessity involved. We had to get from Vancouver to Toronto. And once we realized that we had to do it, we got right into it. We went for it and we loved it.”

Setting aside the fact that one of the happiest times of my father’s life was before I was born, I was struck by the fact that both Albert and my father described a cross-country road trip as the most fun they ever had.

It seems to come down two things. The first is exploration. Exploration is a powerful kind of fun. Road trips are gripping metaphors for discovery precisely because they overlay literal, geographic exploration with interior journeys. In Albert’s case, he was exploring himself vis-à-vis his past and desired future. In my father’s story, he was exploring a new side of himself and my mother, and indeed of their relationship. We instinctively recognize that exploration is fun, whatever the guises in which it comes: a child exploring his or her neighborhood, a reader exploring a bookstore, or a lover exploring the body of a beloved.

The second theme is connection. In my conversations with my father and Albert, both said that they loved the sense of experiencing and somehow connecting to Canada as they drove across it. The country is so big, it’s difficult to hold one sense of it in one’s imagination. But crossing a big chunk of it connects you to the reality of it. Suddenly, you’ve logged those miles, seen what it’s all about. As Albert said, it’s like a rite of passage. And crossing those miles with someone, as my father did with my mother (and John, and Fred), connected them powerfully too.

Who Stole Fun? Find Out in Scope Magazine!

Thrilled to say that my new article, "Who Stole Fun?" is now out in the new edition of Scope magazine.  You can find it at <http://www.scope-mag.com/issues/2012-1>.  I'm honoured that the article is laid out alongside the stunning artwork of Isabelle Menin.  You can get it as a free download, although I would really encourage you to check out the whole magazine.  It also features fascinating articles such as Sonia Katyal and Thierry Lenain's piece on the future of the idea of intellectual property, Stephanie Anderson's moving narrative on Haiti and Douglas Allen's piece on the ways in which measurement helped to create the Industrial Revolution and the modern world, as well as artwork by Mark Chadwick, Kirsty O'Leary-Leeson, Peter Olschinsky, Verena Weiss and others.  

Fascination

The beach!  It’s a superb symbol of relaxation…sunbathing, margaritas, the smell of suntan lotion (well, sunscreen these days)…etc, etc..  But the beach is something else as well:  as the meeting point of land and water, it’s a strange and fascinating borderland. I grew up by water (lakefront and then oceanfront) and my mother always told me we were “water-people”, which made it sound like its own ethnicity.  I’m not sure whether this predisposed me to like water more than the next person, but it certainly did give me license to be particularly geekily fascinated by the lakes, oceans and seas.  And - to confess – it’s a fascination that just doesn’t get old, and which, re-experienced makes me think about the role of fascination in feeling alive and having a great life.

We’ve just been in Florida, on the wide and turquoise Gulf Coast.  We had pitch-perfect weather and spent every morning at the beach.  The water was warm enough for swimming, and varied between surf just right for bodysurfing en famille, to easy, sparkly tranquility.  The water was teeming with life:  sandpipers zipped up and down with the surf, their long bills poised to dig up clams;  pelicans cruised over the water, hunting fish;  millions of little clams washed up with each roll of the waves, then hastily tried to bury themselves out of site;  muscular dolphins even disported themselves further out.  It was hard to tell whether they were fishing or playing, but they sure seemed to be having a good time.  And all the life we did see conjured the feeling of all the life that was out of sight, deeper in the Gulf.  It was an awesome feeling.  I’ve always loved swimming out into deep water just for that feeling of being one more creature among many in the water.  It’s a dizzy sort of a sensation, to have the bottom of the ocean far beneath one, and unseen life all around one.

In Florida, all that life, all that strange life, was captivating.  My own sense of engagement with the world quickened, and I loved watching my children get absorbed by everything that was going on around them.  I couldn’t keep up with their questions:  Why does the surf keep coming like that?  Are all these different looking shells different species? Do sand dollars have different “pictures” on them or are they always flowers?

Besides making us all want to move to the Gulf (notwithstanding the small issue of hurricane season), the whole experience made me reflect on the nature of fascination itself.  To be fascinated is a distinct form of pleasure.  Usually we’re fascinated by things that are new to us.  We want to explore them, learn about them, see different aspects of them.  We can feel fascinated by people (especially when we’re falling in love!), by circumstances (how did that happen?) and by things (how does that work?).  The natural world is endlessly fascinating because there’s always more to experience and learn.  Whether or not you’re a “water-person”, there’s a lot out there to enchant….  For example, there’s a reason that the heavens have inspired some of the greatest minds in the world, from philosophers to poets to scientists.

The marvelous thing about fascination is that it leads us to be open.  It’s the opposite of cynicism or constraining self-awareness.  When we’re fascinated, we tend to forget ourselves. We turn outwards to the world instead of inward to our own thoughts and feelings.  Fascination connects us to things, because it makes us reach out to learn.  And fascination can make us lose our sense of time…the whole world boils down to the subject that holds our attention.

Unfortunately, I don’t know that I necessarily spend a lot of time being fascinated in day to day life.  Most of the time, I’m too busy doing what I need to do in the world that I know.  And culturally, we sneer a bit at fascination, probably because it implies a willingness to expose a deep interest in something, and to reveal a not-knowing, when we’re somehow always supposed to be clever and to know things.

But I vote for embracing fascination, because it’s fun and it opens one up to the world.  And if I feel too mired in the workaday world to be fascinated, well, maybe it’s something I can cultivate. That sounds a little strange, a bit like tryingto fall in love.  But why not?  Maybe it’s just a question of fanning the fires of an interest, whether it’s the Dark Ages in Europe, the discovery of new planets, or life in Iceland.  Come to think of it, Sarah Moss’s new account of her year in Iceland is coming out soon, and it's bound to be brilliant….

 

 

Hearts in the Highlands

I was up late last night, slogging over a PowerPoint presentation.  You know the feeling:  the deadline is looming, you can’t find just the right image, and the PowerPoint software suddenly reveals itself to be embedded with evil gremlins intent on keeping you up all night.  I’ve had some deadlines that were so intense I have literally worked through a tornado. But I have to confess that this particular assignment has actually been rather more fun than the average corporate presentation:  I have been preparing for a presentation to my son’s kindergarten class on Robbie Burns and Scotland.  The images I was searching for included bagpipes, Edinburgh Castle and the Loch Ness monster (which my son’s teachers assure me won’t be too scary.  You can rest assured that I’m leaving out Culloden, Glencoe and poor decapitated Mary, Queen of Scots, although I will tell all those tales with as many gruesome flourishes as possible, should I ever be invited to speak to my daughter’s grade 2 class).

As I squinted at clan maps and nearly indistinguishable tartan designs last night, I realized that I was having a ball.  OK, some of it was stemming from all sorts of fantasies about celebrating Hogmanay at the Balmoral Hotel in Edinburgh , riding the Royal Scotsman, and returning to the Western Highlands.  (My husband and I went camping there in 2001.  It rained every day, and our tent nearly got blown away when we set it up on a cliff overlooking the ocean.  Years later, when I opined that we’d never had a beach holiday, my husband retorted indignantly, “What do you mean?  We had Scotland!”)

Daydreams aside, though, there’s something really quite fun about diving into the lore of one’s family background.  I was raised as distinctly “British-Canadian”, and I seem to recall a heavy emphasis on the Scottish part of our identity.  My mother’s father wore a dress kilt when he married my grandmother.  My grandmother regularly referred to a red and tattered copy of “The Highlander’s Cookbook” (I’m telling you, if you think haggis is the only gruesome thing the Scots have invented, look up Blawn Whiting).  My grandparents just couldn’t get over left-hand drive cars, so they imported right-hand drive cars from the UK.  My uncle owned bagpipe music (which he would blast at top volume to get us out of bed when we were indolent teens).   We have a family dirk.  Even though three out of my four grandparents were actually first-generation Canadian, we felt a shared sense of pride in the role of Scots in helping to build Canada.

When I actually went to Scotland on the aforementioned camping trip, I was surprised to find a real sense of recognition, something I hadn’t felt the many years I’d lived in England.  Highland Scots are a people shaped by water, wind and mountains, and who comfort themselves in this environment with lush gardens and cosy homes;  it was no wonder that so many of them settled in wild British Columbia, and set about recreating the same colourful and warm domestic environments with which I'd grown up.

Previously, I’d never felt a particular urge to trace my family roots, but when I was actually in Scotland, I realized that it felt special to have deep history with a place.  I’m not Scottish, but Scotland and Scottish culture had nonetheless shaped my upbringing and thus my sense of self.  In an era in which we’re all about self-invention, all about lifestyle, it’s actually sweet relief to acknowledge that we have histories.  I try to imagine my Grandmother, she of the right-hand-drive Mini, responding to a question about her "lifestyle".  She no doubt would have fixed me with those blue eyes of hers and said, "Lifestyle?  Really, girl, this is simply who we are."

And so I raise my wee dram to Robbie Burns Day, to Scotland, to my family and to all our homes and homelands.

But Wait...There's More!

I’m delighted to say that the lovely and inspirational people at The Family Dinner are posting The Joy of Raclette on their website along with a recipe for Raclette!  Please check it out and investigate the rest of their site…it’s full of wonderful ideas for eating and connecting, not to mention great information on the health, sustainability and safety of our food. Bon appetit!

 

Pirates, Adventure and the Treasures of Childhood

Guest Post by Emily Frank “I see the Pirate flag, Daddy, I see the flag. That must be where the Pirates took Mama. I’m swimming to shore, I’m going to save her!!!!” And quick as a wink my eight year-old son dives off the decrepit family sail boat into the St. Lawrence and dogpaddles to shore with a plastic dagger clasped artfully in his mouth. I am carefully concealed behind some shrubbery where I have ‘tied’ my hands behind my back with an old bandana. I’ve put patches of mud on my legs and the pirate skull I’ve drawn on my arm will become the ‘tattoo’ that the pirates have given me to leave behind their ominous warning.

I can watch his progress to shore although he cannot see me. This is my favorite part, watching him fully embrace the moment, suspend his sound common sense, and allow himself to believe that his mother has been captured by pirates for the third year in a row, right on his birthday. I observe as he scrambles to shore, bare-chested and dripping. He scans the shoreline, looking for some sort of clue as to where I might be hidden while shouting my name. His eyes are gleaming, his entire body quaking with excitement. Finally, he starts up what he thinks is the likely path and I shout, “Nicky, I’m here, oh thank goodness you’ve found me, come save me.” He arrives at the top of the hill triumphant. He quickly unties me, shouts to his father and his brother who are busy anchoring the boat and then says ‘Now what do you think those pirates did with my presents this year?” He then begins frantically to explore the surrounding area for more ‘clues’ that will reveal where his birthday presents have been hidden.

This all started out innocently enough when my youngest son turned four. We found ourselves fairly recently arrived in a new neighborhood, with limited funds and no extended family or friends in the area. My husband and I were trying to figure out how we could enhance the birthday experience without all the usual trappings that go into the four year old birthday party (lots of friends, games, relatives, etc.). We started with two basic ingredients: some knowledge about our son’s passions - maps and pirates - and a mid-July birthday which meant the weather would likely be perfect for an outdoor adventure.  So, that first birthday, we took him outside, presented him with map and told him that he’d be responsible for finding his birthday presents. When he asked why his birthday presents were hidden, we told him pirates had stolen and hidden them, then left us a map. Little did we know a tradition had been born!

Every year we need to up the ante a bit to keep the experience fresh. Staging my own kidnapping and rescue have been part of the experience for the last three years. Commandeering the family sail boat, with Daddy as captain, and then following a course across the St. Lawrence to a small deserted island were new additions this year. I have absolutely no idea what we are going to do next year. But I know it’s going to be great. And I will have just as much fun planning it as my son (and his brother and father) will have playing their respective roles, coming to my rescue and unearthing the cache of birthday presents. It takes the average hum-drum birthday experience and turns it into something spectacular for all of us.

My intention here is not to denigrate the traditional family style birthday parties. Those can be fabulous. And taking time out to connect with family and friends over birthday cake can be priceless in our over scheduled world. But this year, after my son told me that he could not wait until the Pirates kidnapped me again for his birthday, I began to contemplate what made this type of experience so much fun, for him and for the rest of us. After all, we live in an area where extravagant childhood birthdays are the norm. Parents diligently send out dozens of birthday invitations, have professionals organize games, bring in animals from the zoo, have giant bouncy castles, space museum tours, or countless other birthday events where ‘the fun’ has been carefully calibrated and measured into a pre-set time slot. But these events, while offering diversion and amusement, do not have the long-term resonance that our own Family Pirate birthdays do.

Why? I’ve decided its three interrelated features that make everyone in the family eagerly anticipate the annual Pirate Birthday party. The first is that it calls for full participation from everyone in the family. We are all fully physically and mentally engaged.  Whether hiding presents, swimming in the icy waters, or carefully planning out the scenario, every single one of us has a part in the planning and enactment of the event. Even hapless neighbors who have shown up at our house at the wrong moment have been dragged into the Pirate Tale, forced to deliver ransom notes and listen attentively as my son explains with urgency that his mother has been kidnapped and he must rescue her yet again! (All with a knowing gleam in his eye).

Second, the Pirate Birthdays are about us. We are masters of our own story in these adventures and can build in the features that most excite us, and that bring us closer together. For my family that means water, outdoors, and physical activity are a must. But I could easily imagine for other families it might be music, popular culture, arts, or a carefully crafted sense of luxury.

Third, there is a sense of adventure and discovery in each and every year. And to fully participate, all of us must delve into a role, suspend a bit of our everyday selves and go with events as they unfold.  When we stop running out of unique ways to celebrate the Pirate Birthday they may well lose their luster and we’ll have to come up with a new theme. It's the annual process of re-creation, and re-invention that keep us all so hooked. We relive every moment of the ‘adventure’ long after its over.

It’s true these birthday parties take a little more energy in planning. It is sort of a logistical nightmare, getting me out to the kidnap spot and then my husband back in time to be there when my son arrives and ‘discovers’ that the kidnapping has occurred. It all takes a little staging, and a bit of suspension of our adult selves. But the end results make the extra effort all the more fun.

That Flame in the Darkness

There is what appears to be a large rat and a disembodied hand on our neighbour’s porch, and a disarticulated (how I love that word!) skeleton on ours.  I am writing this in full bat regalia.  Yes!  It’s Halloween. Whether you’ve got a soft spot for ghouls or not, Halloween has a whole bunch of elements in it that are all about switching-on.  I would have thought that Halloween is such uncontested fun that its merit would be self-evident, but news that some Ontario schools banned costumes from their premises today suggest that the day needs a little defending.  So here I am, riding in on my headless horse with just a few thoughts.

First, while we don’t think of Halloween as the most “traditional” of holidays, it comes with its own rituals.  Celebrating them is meaningful – especially if we pause for even just a moment to think about what Halloween means to us, personally, as families or even culturally.  For a night, we dare to mock death – and right at the outset of winter too.  And we give a nod of recognition, whether we believe it or not, to the forces out there in the world beyond our ken…which are sometimes close.

Second, being scared – especially when we know deep down that everything is OK - is fun. There is a reason that we gobble up Stephen King novels and go to horror movies and ride roller coasters.  There are probably all sorts of psychological reasons why this is true (and the infamous Capilano Suspension Bridge study explains one), but I think a lot of it comes down to the fact that being scared makes us feel alive.

Third, Halloween subverts the normal social order of things:  whether it’s appearing to venerate the dark side, children getting to gorge on sweets, good people doing mischief, people dressing as animals or spirits or monsters or whatever, for this one night we say “to hell with the rules!”  Every culture needs these outlets:  they can unleash creativity, help to blow off steam and even remind us why the normal rules might not always be a bad idea in the first place.

Fourth, holidays like Halloween remind us that there’s a different, more ancient calendar that runs deep beneath our efficient, organized and Blackberry-ified lives.  This calendar created space for different kinds of thinking and practices in a way we don’t seem to now.  For example,  Halloween in part evolved from the pagan Samhain, the Gaelic festival that my ancestors no doubt celebrated with bonfires and God knows what shenanigans on the Scottish Highlands.  According to Wikipedia, one of the features of Samhain was that villagers would light a central bonfire, then extinguish all other fires.  Each family would then relight its hearth from this one central flame, bonding them together at the outset of the dark, cold winter.  Where now do we so solemnly mark our common needs and our interdependence?

So make a little room for Halloween, notwithstanding its commercialization and the anti-fun brigade that wants to ban costumes.  Light a fire.  Get ready for the dark.  It’s coming – but we’ll be ready, and we’ll be together.

Ten Reasons Adults Are Less Switched-On than Children – and How to Get Past Them

It’s a reasonable thing to shudder when one hears folk songs encouraging us to learn from children.  My children do things like giving themselves rug burns sliding down the stairs on their stomachs and trying to stick their fingers up my nose:  not behaviour I’m keen on emulating.  Nonetheless, when I was at the playground with my children last weekend, I couldn’t help noticing that all the children are seemed to be having a terrific time, while most of the adults sat huddled over their take-out coffee like disengaged lumps. Hmm.  If you’ve read the great book Influencer, you will have heard the value of looking for positive deviance, that is, studying the behaviours of those who seem to have managed to solve a problem that the rest of us are grappling with.  If we can nail what these successful people are doing that we’re not, then we can mimic that specific behaviour and hopefully solve the problem for ourselves too.  I don’t particularly romanticize childhood, but I think it’s reasonable to say that most kids are exquisitely alive, with enviable amounts of curiosity, energy and creativity.  Therefore, I sat down and came up with an ad hoc list of where we adults tend to go wrong, and where children’s positive deviances (deviations?) could set us on a different, more switched-on, path:

  1. Adults confuse pleasure with fun.  Pleasure’s lovely (you’re not going to hear me disparage the pleasures of a hot bath or a Barolo), and children surely like it too (look at the rapture of a child eating a Häagn-Dazs bar), but fun both demands and gives more to us.  Children are more willing to commit to fun:  they’ll plan it, anticipate it, invent it…in an odd sort of way they work at it.  I think we can learn from their commitment.
  2. Adults focus more on other peoples’ fun.  This seems to be an odd, and historically quite new, phenomenon.  The psychoanalyst and writer Martha Wolfenstein proclaimed the rise of a “fun morality” as early as the 1950s:  one of its features, she said, was that parents were supposed to make things fun for their children, and to demonstrate at every possible turn that life was enjoyable.  I think it’s actually pretty nice to foster fun for other people, but we have to find our own too.  If you’ve ever watched children negotiate the rules of an invented or make-believe game, you’ll notice that they’re skilled at figuring out what will work for everyone (probably because if not, tantrums ensue).  This seems to be a pretty smart strategy, certainly a lot better than perpetual self-sacrifice.
  3. Adults stop moving.  Humans are meant to move, something we know from pretty much every scientific study ever conducted on the subject and from the feeling of well-being that it generates in our own bodies.  But there’s no doubt that adults just don’t move that much.  Children are a marvel to watch:  they move constantly.
  4. Adults become suspicious of fun.  Too many adults view fun as something that’s going to distract them from more noble pursuits, like work or any one of the gazillions of ways we strive for self-improvement.  Unless we adults mess up our kids, children don’t strive for self-improvement per se, they just trust they’ll learn as they grow.  This means they take fun at face-value, and enthusiastically embrace it.
  5. Adults eat the apple of self-consciousness.  Switching-on and having fun takes risks…we have to move out of our comfort zones and this means that we might look silly, or God forbid, incompetent.  Some children do fret about this, but most plunge into things with little worry about how things will “look”.  This gives them an enormous freedom to experiment and just be.
  6. Adults think we need to have things to have fun.  OK, in our materialistic world, so do a shocking number of children, but they’re likelier to get over it faster.  It’s like the old line, “I gave my kid a $150 mega-present and all she wanted to do is play with the box.”  Children have an extraordinary capacity to invent and create with what they’ve got:  they don’t sit around constructing barriers between themselves and fun by saying, “Well, if I could afford skis and a chalet, I’d have a lot of fun skiing,” or “If I had a sports car, I’d have a blast.”  Not a bit of it.  They figure out how to have fun with what they’ve got because they have to.
  7. Adults perceive ourselves to be too busy to have fun.  Sorry, but I think this time is another false barrier to fun and switching-on, and this comes from someone who gets what seventy hour workweeks are like.  Children definitely get more discreet playtime than we do, but the positive deviance isn’t in those divinely long stretches where they’re engaged in involved play:  it’s in the way that they find mini-pockets of fun or play throughout the day.  Kids can play getting ready to get out the door, putting their clothes away and brushing their teeth.  Of course, this is exactly the behaviour that drives many a well-meaning parent crazy, but the truth is that we could learn from their example.  Confession:  I’m terrible at this.  It doesn’t come naturally to me at all, as much because I don’t feel I have the “bandwidth” as much as the time.  And yet, that times that I’ve seized moments in the midst of routine have not only created uplifting joy – they’ve provided lasting memories.  For example, one of my favourite memories from when Mira was small is when – for some reason I now don’t recall – I decided I had to introduce her to Split Enz at 7:45 on a Thursday morning.  She and I danced to I See Red and Six Months in a Leaky Boat, among other terrific songs, until we were breathless.  She had no idea why we’d varied our routine, and truth to tell, neither had I.  But those fifteen minutes of fun were exquisite and memorable.
  8. We don’t explore enough.  Most adults like capital “E” exploring, like visiting new cities or checking out open houses and such, but we’re not so great at small “e” exploring, such as looking for interesting things in our own backyards, neighbourhoods and other familiar spots like local libraries.  Unless we’re committed fantasy readers, we also don’t really think about exploring different “realms”, from Middle Earth to ancient Greece to Hogwarts.  But children love exploring both intimately familiar and wildly imaginative new realms, and watching them, one sees how it fires their imagination.
  9. We don’t play enough.  Kids are great at play:  adults are frankly terrible at it.  But organizations like the National Institute for Play, the Institute of Play and The Strong Institute for the study and exploration of play are doing cutting-edge research and on-the-ground work that indicates that adults need play just as much as children do, and for all the same reasons:  it facilitates learning and creativity; it literally seems to keep the brain flexible and adaptive; it helps to build social bonds and so on.  Play is also (usually) a big source of fun.
  10. We don’t go outside enough.  Children are naturally drawn to being outside, and most schools or parents still make children go outside every day, or at least close to it.  Barring the occasional tears when it’s just too hot/cold/waspy, children inevitably come in with shining eyes, flushed cheeks and a happier, more focused energy.  Adults, on the other hand, can easily have whole weeks when we’re only outside walking from house to car.  That’s pretty say.  Go outside:  switch-on.

Is the Wrong Kind of Fun Making You Fat?

A terrific and provocative piece in the New York Times yesterday:  food columnist Mark Bittman demolished the sacred cow that junk food is cheaper than healthy food, a belief that is often invoked to explain why so many Americans eat it and thus are fat.  First he shows that reasonably economical home-cooking is cheaper than even McDonalds.  Next he demonstrates that home-cooked meals can be as or more calorie dense than fast food, even presuming that is what one is seeking in a world where we consume too many calories.  Third, while he acknowledges that there are “food deserts” in low-income neighbourhoods, he suggests that 93% of low-income dwellers therein have at least access to a vehicle, so could get to a supermarket to buy food.  Finally, he even takes apart the idea that we don’t have time to cook, stating that the average American watches 90 minutes of television a day, regardless of their income, some of which could easily be redirected towards cooking. Bittman suggests that the real barrier to cooking healthy food at home is that we perceive it as work, and that, by comparison, fast food is “a pleasure and a crutch”.   There is a physical pleasure to fast food, one which scientists and critics have warned is quite literally addictive, but there is also the fact that fast-food companies have created and attached a “carnival” of pleasure to their food by making it ubiquitous, instantaneous, mobile and playful.  In other words, fast-food is perfect expression of our technological age, all wrapped up in a big bow of accessibility and fun.

Bittman argues that “real cultural changes are needed to turn this around”, but that the “smart campaign is not to get McDonald’s to serve better food but to get people to see cooking as a joy rather than a burden, or at least as part of a normal life.”  The tricky bit is how.  Bittman says that we need political change, but the rest lies with us.  We should “cook at every opportunity, to demonstrate to family and neighbors that the real way is the better way. And even the more fun way: kind of like a carnival.”

Those of us who cook do tend to find it fun:  no doubt that’s part of the reason we do it.  But it’s worth asking if there are ways that we can increase the fun, not only for our own pleasure, but to be the kind of models for which Bittman is calling.  It’s not just about competing with fast-food, it’s about celebrating a core part of our existence.  Ironically, given that we consume our food, cooking and eating are modes of engagement that can lie outside of the ruthless production/consumption model that characterizes so much of the rest of our lives.  Cooking and eating are about creativity, connection to the natural world, experimentation, bonding with other people, thanksgiving and pure sensual delight.  And frankly, I’ve never been one to think that it only “counts” if you’re eating with others.  When I lived alone, I was always very happy cooking for myself, investigating new ingredients, trying new things, filling my apartment with good smells and actually enjoying the fact that I was taking care of myself.

So what are the ways that we can reengage with the joy of cooking?  Here are five ideas:

  1. Embrace the sensuality of cooking.  Come on, this is good.  Really look at the deep purple skins of eggplant, the rich coral of salmon, or the pink piping on borlotti beans.  Inhale the scents of turmeric, lime, wild mushrooms or melting chocolate.  Feel the springy resilience of kale, the slipperiness of fresh scallops, the soft flesh of a peach.  You get the picture, but if you need inspiration, watch Like Water for Chocolate or Babette’s Feast.
  2. Screw being a master chef.  Cooking is one of those things that some people invest a lot of time in, not just because they like it, but because it becomes part of their identity.  Notwithstanding Iron Chef or whatever the show is, cooking is not a competitive sport.  It’s life.  Embrace peasant food.  Embrace the possibility of the failure that can come with experimentation (my personal nadir was artichoke soup that cost a fortune, took hours, and was basically unsalvageable despite buckets of wine and cream.  My favourite memory of that though, is my dear friend Lori still insisting it was good.  I love her still for that).  Embrace being really great at a couple of things, and having fun with a whole lot more.
  3. Have rituals.  I know, eventually an anthropologist was going to talk about rituals, but rituals are a way of marking special time, and transforming routine into something more profound.  They’re deeply human.  Rituals of thanksgiving, be they grace, or having each person at the table say something to honour the food, remind us of what our food connects us too.  But even the simple ritual of lighting candles at the start of the meal makes the time special.
  4. Play.  No, this doesn’t mean playing with your food.  This means experimenting with new ingredients or cuisines, making wacky substitutions if so inclined, lovingly following your favourite cookbook authors (I have a thing for both Nigella Lawson and Nigel Slater), collecting period cookbooks…whatever works for you.  And it means using the sacred time and space of the table to engage playfully with others.  Laurie David has some great ideas in The Family Dinner and it’s also worth asking your parents and grandparents what traditions they might have had that you can try again.
  5. Mix things up.  There is little in life as fun as establishing rules and then breaking them.  Look at the perennial fun of Mardi Gras or cross-dressing!  Figure out which cooking and table “rules” you need to maintain, and which you might enjoy breaking now and then.  Eat dessert first.  Pick one favourite ingredient and base an entire menu around it (I wouldn’t suggest goose though, at least, it didn’t work out so well for me).  Eat breakfast for dinner.  Have everyone come to the table in their pyjamas, or evening clothes, or in costume.  I do believe that one should always be respectful of one’s food, but beyond that, it’s fun to play self-consciously with the rules that govern all the “should” and “oughts” of our existence.

These are but a few ideas, based on what we know generates fun and pleasure.  Let’s do it.  Let’s reinvent the joy of cooking.  We’ll all be happier, healthier and skinnier as a result.

Just Add Water

This is not the average place from which to consider feeling uplifted and engaged:  I’m back in Georgian Bay.  It’s so damned beautiful.  Windblown, hardscrabble trees; changeable blue water; that magnificent smooth rock of the Canadian Shield, worn down from millions of years of glaciers and storms.  Samuel Johnson said that if you’re tired of London, you’re tired of life, but I think those words are even better said about Georgian Bay. Besides the beauty though, the thing that really moves me is being in, on, and close to the water.  The signature picture of this blog says it all:  as far as I’m concerned, it doesn’t get much better than diving off a dock.

Although, then again, maybe kayaking comes close.  Today I took a fiberglass kayak out for a paddle around some of the little rocks and islands that surround the cottage.  I hadn’t been in a kayak since I was fifteen, so I started by clinging to the shoreline, but as I got used to the boat - its feminine roll under my hips, the way the water dripped back in if I raised the paddle too high, the slap of the water against the hull - my confidence came back.  Soon I was scooting out across the small expanses of water between the little islets, watching the depth carefully so I didn’t accidentally run aground.

It felt incredible.  Here’s what I saw:  a dozy cormorant, as surprised by me as I was by it, took off from the water right beside me; a monarch butterfly kept me company at my furthest point from land; a mysterious, glinting shape in the water turned out to be a leaf – one’s of fall’s first casualties.  And beneath me and the sparkling water, I watched the submerged round rocks of the bay, now deep and dark, now just inches from my paddle.

This was more than fun – this was joy.  Which made me wonder:  is water almost universally engaging?  Think of the ways we express our love of water!  Houses with ocean or lake views always sell at a premium (“buy waterfront,” my mother used to say, “they’re not making any more of it”).  We love holidaying by water, be it on beaches or cruises.  We love to play in and on water:  we swim, Sea-Doo, water ski, snorkel, scuba dive, play water polo, fish, do synchronized swimming, surf, wake board, use myriad kinds of boats and generally frolic.  And we even bring water into our dwelling spaces…we love fountains, swimming pools, ponds and fish tanks.  We even buy CDs that play the sounds of the surf.

Being by and in water seems to soothe and uplift us, to make us feel alive.  Perhaps it’s because water itself often seems alive, moving and flowing like a life force.  Perhaps it’s because we carry a palpable sense of the hidden life in water, the fish, squid, clams, corals, sharks, whales, and strange deep water things that glide about, unseen by us but nonetheless teeming and vibrant.  Perhaps it’s because it’s really that water keeps us close to nature.  Or perhaps it’s a question of scale…that being by water is like contemplating the night sky, in that it reminds us that we’re really quite small in the scheme of things, a thought that is actually rather comforting?

And, of course, many of us have personal memories and attachments to water that are rekindled when we are near it.  Perhaps water holds them so well because, like land, it is an elemental force and has a capacity for multiple meanings.  In my case, it starts with the sense that I am from a family that is almost mystically connected to water.  My great-grandparents met at sea;  my great-grandfather was a ship’s pilot in Singapore; my mother was a long-distance swimmer, my grandmother always lived in homes that looked over water, as indeed did I until I was ten and we finally moved to the city.  Now when I’m by water, I feel like I’m somehow being true to a deeply embedded sense of identity, and that feels good, even uplifting.  It is one of the paradoxical properties of fun that we can experience it both by rule-breaking and setting ourselves free, and by feeling that we are being fully consistent with our deepest sense of self.

But beyond this familial connection, I’ve spent many days on water that produced the experiences and memories that tell me who I am.  There were the days that my brother and I used traps lined with bacon to catch Dungeness crab off the pier at Crescent Beach;  afternoons diving off the dock at the cottage with my cousins when I was eleven; moonlight walks on the beach with sweethearts in my teens and twenties; watching sunrise on the beach in Thailand one Christmas Day; bobbing like a cork in the Dead Sea; sitting in a rock pool with friends, eating oranges and letting the juice run all over us because we were already in water; swimming in the Sooke potholes the day of my friend Sarah’s wedding; floating my daughter in the water with her safe in my arms…the list goes on, and now I have today’s kayak to add to it.

I think there are two things that I will take away from today’s adventure.  The first is that water itself is a powerful source of fun, joy and life and finding ways to connect to it can be a great way to switch-on.  The second is that is that we are a sum of memories, and as much as these are memories of engagement and fun, then so we will feel buoyed and rich with the strength to make more.

Light Up Your Life

The shooting arc of light, the deep pop as if from a giant champagne cork – I hold my little son and join the collective gasps of our friends and family as the fireworks trace patterns through the sky.  My cousin and his friend are down at the beach and they take turns lighting the fireworks with a torch.  It’s dark, so we can’t see who is who, but we can see the torch moving around the beach.  The rest of us are up on the cottage deck, watching from a safe distance, safe from the mosquitoes that is, which swarm the path between cottage and beach.  The grown-ups have wine and meltingly delicious cheeses (I’m hooked on a triple-cream brie, and am hoping no one is noticing how much I’m eating).  The children have popcorn, cookies and more cookies.  The surprise hit this year is one made with cornflakes and cashews, which mysteriously is crunchy and chewy at the same time.  The children are over-excited, and they go from talking at top volume (“LOOK AT THAT ONE!!!  THAT’S MY FAVORITE!!!), to reverential silence and gasps.  It’s 9:30, so they’re up past their bedtime, which is just awesomely excellent for all of them, and there is an unlimited supply of treats.  Paradise. And, let’s admit it, the grown-ups are in pretty fine fettle too.  There’s that cheese.  But perhaps more to the point, we’re delighted to be together, and the fireworks are fun.  They can’t help lifting our spirits up with them as they vault into the air.

We have a habit of thinking that fun has to be spontaneous, but this fireworks party is a great example of planned, even carefully engineered, fun.  My aunt and uncle host this party every year at their cottage.  One of my cousins buys the fireworks early in the summer:  it’s been his job for years and he does it well. He knows how to build from the first pretty pops to the fabulous, colourful crescendo at the end.  From the start of the summer, my aunt and uncle watch for the right time for the party.  It’s got to be at a time when the weather is just right, that is, where it’s been wet enough there’s no fire hazard, but not so wet that it’s a misery to be outside.    When they figure the time is right, they let their closest neighbours at the cottage know the date and time.  A couple of days before, my aunt plans the food and bakes the cookies.  On the afternoon of the party, my cousins go to the beach and carefully plant every firework.

That’s a lot of orchestration.

Then the night arrives, and it all flows in a current of excitement.  Tonight, we ate a yummy dinner of homemade Pad Thai early, so we’d have lots of time to clean up and get ready for the guests.  As soon as the dinner things were cleared off the table, we set it again with the wine, cheese and cookies, which we then all proceeded to steal whenever we thought no one was looking.  When darkness started to fall, the children set up watch for the neighbor’s boats, straining to hear motor or see lights:  it’s tradition to arrive by water, as if the party’s being held in some wilderness-Venice(?).  When we heard the first motor, the kids literally started hopping up and down with excitement.  “People coming!” they sang, “Fireworks!”  And a night of – literally spectacular fun – follows.

Of course fireworks themselves are fun and exciting.  They’re rare and special, they’re beautiful, and we usually watch them in happy collectives of friends and family.  If you haven’t got out to watch some fireworks this summer, look for a chance.  Brave the crowds, let the kids stay up late.

But the message that I’m taking away from this isn’t just about fireworks, it’s that we shouldn’t be afraid to plan fun.  Spontaneous fun is lovely, but we ought not to let ourselves be held for ransom by the idea that we’re supposed just supposed to make it happen.  For one thing, that puts a lot of pressure on us, and who needs that?!  But more to the point, to feel that fun ought to be spontaneous is to overlook that, throughout history, all peoples have always created occasions, big and small, to celebrate and have fun.  It’s just as much a part of being human as eating, breathing and working for a living.

The Revolution is Here! Load Your Water Pistol!

Fun is a force to be reckoned with.  In Tehran this week, 14,000 people of all ages loaded their water pistols and gathered in a public park for a water fight in response to an invitation on Facebook.  Pictures of the event shown in The Guardian and on the site of blogger Potking Azarmehr show people having an absolute blast:  a joyous young woman sending an arc of water into the air, a delighted father whose arms overflowed with his little girl and a giant water gun, and a grinning woman emptying a water bottle on her friend. But, as has been reported around the world, this unbridled joy promptly incurred the wrath of Iranian authorities, who, according to Saeed Kamali Dehghan in The Guardian, referred to the event as “abnormal”, “shameful” and “against social norms”.  They wasted no time arresting some of the participants, forcing them to appear on state television, their backs to the camera, to atone for their “crime”.

Officially, the problem seemed to center on the fact that the water fight was a mixed-gender event.  Girls!  Boys!  Water!  Iran, of course, has very strict rules prescribing the separation of the sexes so a bunch of boys and girls frolicking in the park would definitely be provoking to authorities.

Unofficially though, the problem might not have been the mixing of the sexes itself so much as it was the fun they had.  In his post on the water fight, Potking Azarmehr writes that in Iran, “you risk incarceration if you dare to have fun, particularly if it’s group fun and if it is in public”, and in Dehghan’s article Azarmehr is also quoted as saying, “There are two issues here which have troubled the regime:  people having fun and people organizing a gathering through the social media.  Both are perceived as a threat by the regime.”  Indeed, in his post Azarmehr furiously notes that the authorities investigate real crimes such as knifings and rape only lethargically, whereas they’re very vigorous indeed about cracking down on fun.

While no expert on Iranian politics, I think there are a number of reasons why the authorities there might perceive fun as dangerous.  First, fun is an irrepressible feeling of being alive.  To feel alive is to feel engaged and energized, and while mercifully I’ve never lived in an authoritarian state, from all accounts such regimes try to coerce their citizens into being dulled, afraid and withdrawn.  There may be room for some version of “fun” if it is organized under the aegis of the authoritarian regime itself and meant to support it - I’m thinking here in particular of the Nazi program “strength through joy” – but I think it’s fair to question if this kind of fun leads to the same unbridled levity as the Iranian water fight.

The other reason fun is potentially dangerous to authoritarian regimes is because there’s a whole lot of fun to be had breaking rules, and the “authoritarian” in “authoritarian regime” pretty much gives it away that these guys are big on rules.  Of course, fun can be a subtle means of teaching us the “rules” in the first place (many of us first learn about capitalism playing Monopoly, after all), but I think it’s possible that one of the key social purposes of fun is to lead us to push at boundaries, experiment, break rules, play with the possible.  This aspect of fun is a wildly creative force, both personally and socially, and it’s this generative spirit that’s actually the problem for the regime, not just the rule-breaking in and of itself.  In the water pistol example, the participants’ fun is a shining example of another way of life, and they are potentially energized to do something about it.

And finally, authoritarian regimes might also fear fun because it is a powerful mechanism by which to connect to something, which is perhaps why, if Azarmehr is correct, the Iranian authorities were also particularly perturbed by the organizers using social media to invite the public to the water fight.  In this case, the water fight connected 14,000 people who shared a joyous few hours using water to beat the brutal summer heat.  Those are 14,000 people who now have a shared memory of the event and who know what it meant to them-  notwithstanding the officials’ desperate-sounding attempts to define it as something shameful and awful.  This connection might dissipate as fast as it was created, but it also might be the seed of a new vision of a defiant collectivity, or if that is too outlandish an interpretation, we can perhaps see it at least as part of a mosaic of events that are bringing Iranians together is novel and unsanctioned ways that brim with possibility.

We had a water fight of our own a few weeks ago, on a scorching mid-July Sunday.  It started innocently enough.  Our neighbour was playing a game with his son, in which they took turns using attacking each other with a hose, and using a shield in defense.  Our daughter, lured over to their garden by the siren sound of their laughter, soon joined in.  Then, somehow, water started flying across the fence that separates our two yards and pretty soon it was a fully-fledged adults vs. children hose and water gun fight.  It was mayhem, water coming from all directions, children in bathing suits underfoot, ambushes, full-on assaults, you name it.  We literally screamed with laughter.  We all had dinner together later, still on a high from our half-hour of play, buoyed and connected.  We’ll probably remember it as a highlight of our summer.  And, a few days later, little Jamie, who’s two and was a bit taken aback by it all at the time, hauled out a hose all by himself in order to try to replicate what happened.

So although one who is lucky enough to live in Canada probably can’t fully appreciate the public water fight in Tehran, I can imagine the feelings of joy, connection and sheer aliveness the participants must have felt and, when I think of Jamie getting out the hose again days later, I can imagine the contagious power their fun must have generated.  Contagious power that has the authorities watching in fear.

Fun for Boys and Girls

Once when I was fifteen, my very British grandmother and I sipped tea in her colourful West Coast garden while she regaled me with stories about her life in Singapore in the 1930s.  With a gleam in her bright blue eyes, she confessed the feminine tricks she and the most sophisticated of her friends used to use to captivate men.  Before dances, they’d pin rose buds to their underskirts, so that when they danced, men would go crazy trying to work out what was causing the occasional flash of colour by the girls’ legs.  And they never showed too much skin, not because it wasn’t proper, but because they knew translucent fabric was so much more tantalizing.  Then there was doing the unexpected, like showing up at a picnic in wide-legged Katherine Hepburn trousers and a big hat, instead of the ubiquitous floral frock.

In these stories, it was pretty clear that my grandmother was no victim of gender roles, forced to play the coquette because it was the only access to power she had.  Not a bit of it.  She pinned roses to her slip because it was fun:  fun for her, fun for the men, fun all round.  This is not to say that gender roles in the 1930s wouldn’t have been constraining:  of course they were.  But they were also sources of experimentation, play and celebration.

My grandmother’s stories have been on my mind recently given the number of articles about new initiatives to encourage children to develop free of gender stereotypes.  For example, there is the Swedish preschool that’s purportedly trying to cultivate a completely gender-free environment by banning all fairy tales and doing away with masculine and feminine pronouns, among other efforts.  And of course there is Toronto-based baby Storm, whose parents are concealing his/her sex until the child is old enough to decide on his/her own gender identification.  Some people are for these sorts of radical efforts to de-emphasize (or perhaps even attempt to abolish) gender, and some people say that they go too far, but it seems that whoever weighs into this debate shares a similar belief that we ought to take gender very, very seriously and that it is fundamentally a problem that we need to fix.

I find this kind of irritating.

OK, I’m enough of a dyed-in-the-wool feminist to agree that gender is an important topic, and that it’s quite right that we ask ourselves how to raise children who are free to be who they want to be.  And I’m not going to claim that my grandmother’s generation had it right and we ought to turn back the clock.

But at the same time, I can’t help thinking that the whole topic of gender bubbles with the potential for fun.  Take the bedrock level of the dance between the sexes: as my grandmother illustrated so vividly, it’s fun to play around with masculine and feminine allure.  Flowers pinned to slips!  Many (if not most) women who have been to say, Paris, Rome or Bogota will speak wistfully about the switched-on feeling one gets from the flirting that’s just a normal part of life there.  And of course, there’s male equivalents:  the man perfecting his approach to women (a subject of umpteen comedies), or polishing his wit, or cultivating a bad boy appeal.

All of which raises the point that, at an individual level, it’s also fun to experiment with gender repertoires.  Yes, there’s a world of experimentation beyond gender categories too, but in addition to asking, “what kind of person do I want to be,” it’s fun to ask, “what kind of man or woman do I want to be”.  And of course it’s not static…that’s the beautiful thing about identity.  We’re our own narratives, and can continue playing throughout our lives.

It’s also fun to celebrate inhabiting a certain gender.  Peggy Lee and her wonderful song I Enjoy Being a Girl come to mind here, with her happy verses about of dresses made of lace, receiving flowers and talking on the phone for hours, “with a pound and a half of cream upon my face”.  We seem far more inclined to fret about gender now than to celebrate it, perhaps because we’ve become terrified of stereotyping, or because we’ve come to define gender by only constraint instead of possibility.

And finally, it’s fun to experiment with transgressing gender too, but one can only transgress if some boundary exists in the first place.  The dazzling academic Marjorie Garber has pointed out that drag is a theatrical exploration of the ideas of essence (sex) and construction (gender), but drag is also fundamentally fun because it transgresses gender rules about who wears, does and says what.  Individual artists, such as icons Marlene Dietrich to David Bowie, have clearly had a lot of fun (and created damn sexy personas) doing the same.  But these are just the visible examples.  In their song Laid, the band James describes the intense sexual play of a couple, “Dressed me up in women’s clothes, Messed around with gender roles, Dye my eyes and call me pretty.”  In other words, the lovers are having a whole lot of fun pushing the limits on everything, including their own gender roles.  If it seems a little perverse to say that we should have rules just to break them, well, maybe it is.  But it’s also a means of keeping a genuinely creative force going in culture, one that opens up whole realms of fun.

This is not a post to argue we should create rigid gender categories and then police them…not at all.  What I am saying though, is that fun is built into the existence of male and female, and to try to excise gender from our world would be to cut ourselves off from something that is a source of fun in addition to whatever else it may be.  A gendered existence doesn’t have to mean simply slavishly acting out preordained sex roles, it can also mean playing with identity in an engaged, irreverent and even sexy way.

Which brings me back to the Swedish preschool.  Hats off to the people who are trying to create a brave new world for all those little girls and boys.  But just suppose instead of trying to suppress the idea of gender, they played with it instead?  Play and fun are wildly creative, and through it, we just might find a way to have our pink frosted cupcakes and eat them too.

In the Water, off the Dock: Perfecting Something You Can’t Get Better At

My son Jamie and I were exploring, and we made our way down to a seldom used dock by the cottage.  We pushed aside the spider webs that floated above it (the spider webs there are so ubiquitous there they seem to attach themselves to the very air), and enjoyed the first bounce of buoyancy as our weight hit the wood.  Jamie, captivated by the sensation, jumped and rocked from side to side, testing just how far he could tilt the dock and send the water whooshing out from underneath us.  Of course I joined him.  It’s been a few years, to say the least, since I played on a dock, but it’s pretty irresistible once you start. Eventually we tired of this and walked down to the end of the dock to peer over the edge.  Jamie proceeded to plunk himself down, take off his shoes, and drop his feet into the water.  Now, this is a two year old who can’t swim, so I dove for him, fearing that he was about to jump into the water.  But not a bit of it:  he just wanted to put his feet in the water.  Once I calmed down, I realized Jamie was on to a good thing.  Still holding on to him (safety first!), I took my own shoes off, sat down beside him, and put my feet into the cold water.

The water was so clear that we could clearly see the gently rounded, algae covered rocks underneath us.  There was also some sort of mysterious mesh thing, perhaps a long abandoned trap of some kind.  And, once the water settled down after all our activity on the dock, a timid school of minnows ventured to swim right by our feet.

I thought there was something enchanting about the fact that Jamie instinctively seemed to “get” the pleasure of dangling one’s feet off a dock.  Of course, it’s possible that he was just copying something he’d someone else do, but even if that were the case, he certainly didn’t hesitate.  He knows fun when he sees it.

As we sat there, watching the minnows and dragonflies (and keeping an eye out for the vicious horseflies that were around, in case you think this is getting too bucolic), it occurred to me that this was an experience of fun that we don’t need to work at.  You can’t get better at dangling your feet off the dock.  That is, I could perhaps have snorkelled down and figured out what the mesh thing was, and perhaps figured out exactly what kind of fish the minnows were, but I was never going to improve my feet-dangling skills.  Jamie, at two, already had just as much mastery over this experience as I – or anyone – was ever going to have.

This got me wondering how much room we make for this kind of fun in our lives.  It can seem these days that our approach to fun has been absorbed into a cultural paradigm that values mastery and competence so much that we unconsciously seek it in all dimensions of our lives.  If we enjoy something, we should strive be good at it!  We need to push ourselves, “take it to the next level”, test ourselves in a marathon rather than just run for fun, master French cooking, not just a soufflé.  And the few exceptions to this mostly seem tied to fun as consumption or entertainment, where the fun is being served up to us in the form of a trip to Disneyland, a movie, or some equivalent, where we can’t really get better at it, but then in some respects, we’re not really doing “it” in the first place.

The sociologist Micki McGee has said that we live in a self-help culture, one in which a fundamental insecurity is driving us to turn our lives into constant quests for self-improvement.  I think she’s right, and that this modality has colonized fun, so that it’s one more thing to be good at and the things that we find fun one more thing to master.

Let it be said that there’s every reason to believe that mastery and are profoundly important to human well-being.  Mental health experts say that they promote confidence and well-being and are crucial for building a healthy sense of self, one that is resistant to the doubts and self-loathing that are the bedfellows of depression.  Likewise, in his recent book Drive, author Daniel Pink says that mastery is one of the rare true motivators in life and suggests that companies that want to succeed should find a way to build opportunities for mastery into their work processes.  And, perhaps even more intriguingly, in their terrific book All Things Shining:  Reading the Western Classics to Find Meaning in a Secular Age, philosophers <a title="All Things Shining Blog" href="" target="_blank">Hubert Dreyfus and Sean Dorrance Kelly suggest that a sort of version of mastery, based on the Greek idea of poiesis, may be a way to call forth the sacred into the world.  In their vision, this mastery is the skilled knowledge and nurturing spirit to bring things out at their best, such as, for example, a master woodworker knowing just how to work with a given piece of wood.

These are all good arguments for why mastery matters.  And there’s no doubt that pursuing mastery in something can be a lot of fun, perhaps because pursuit itself is so fun.  But.  There are also beautiful opportunities for fun that lie outside the realm of anything that we can master.  They occupy the moments in our lives that are simply living, not expressing or striving.  There needs to be room for them too.

When Jamie put his feet into that cold, clear water, he was simply a child doing something lovely.  When I put my feet in the water, it was, perhaps, a de facto, if momentary, act of resistance.  I wasn’t working on my kayaking skills, or my tennis serve, or my martini mixing, or my writing, or my cooking, or anything else I do because it’s fun and I genuinely want to be better at it.  I wasn’t mastering anything, and I wasn’t improving myself.  In this one thing, Jamie and I were already perfect.

Lessons from Toady

I’m writing from Georgian Bay.  As I type these words, the sun, still radiant enough to have dazzled my eyes, is setting like an emperor retiring for the night.  A heron, in silhouette against it, heads for its nest.  It’s quiet, save for the soft lapping of lake water, and the occasional shrill call of a seagull making a meal over an ill-fated shadfly.  I’m tired and sunburned, and in honour of Gordon Lightfoot’s Christian Island, which is not too far from here, I will get myself a whisky of the Highlands shortly. It’s beautiful, and it’s fun.

Of course, we pretty much expect things to be fun here in Cottage Country.   This is Canada’s iconic outdoor playground.  It occupies a space in the Canadian imaginary that we all recognize, whether or not we’ve actually spent time here.  When it comes to unpacking fun, Georgian Bay deserves a lot of attention.  But today I want to focus on one small part of it:  Toady.

No surprises here:  Toady is a toad.  My children found him (her?) at the beach today and they were transported with delight.  They spent 45 minutes catching Toady, making sand beds for Toady, encouraging Toady to jump on to their hands, singing to Toady and trying to find things for Toady to eat.  They’d probably still be trying to play with Toady if I hadn’t eventually called time-out to give the wee creature a rest.  Other than a minimum of supervision to ensure they didn’t accidentally squish Toady in the course of their ministrations, the children were rapt and had no need for their parents.

After dinner, I asked my daughter about Toady.  She said, “Toady was fun!”  Now, this had been pretty much evident from their total focus on it, and from my two year old literally shaking with excitement and squealing every time the thing made a move, but given that I’m researching fun, it was interesting to hear her say it.  I asked her what was fun about it, and she gave me a withering look and said, “He hopped.”

And that is the lesson from Toady.  He hopped.  Of course, this is the sort of thing that children say and it’s perhaps yet another sign of my over analytical adult sensibilities that I read anything into it, but at the same time, it’s a sublime answer.  In “he hopped”, I hear that Toady didn’t need any added design dimensions, or educational underpinnings, or focus group discussions, to be just perfect.  Rather, Toady embodied fun.  The children found him in the course of an inherently fun activity, exploration.  And the unwitting fellow, perhaps to his chagrin, possessed many of the properties of fun things:  he moved (and unpredictably at that), finding him was a rare and special event for my children, he possessed a certain enchantment for them and there was a certain inversion of power in that they were so much bigger than he.  He was just inherently interesting, and we all tend to experience interesting things as fun.

All that said, I’m trying to think why my children were so much more excited by Toady than they are when they see animals at the zoo.  Don’t get me wrong, they love the zoo.  And zoo animals contain many of the same fun properties I was describing above:  seeing them is rare and special, they move in interesting ways, and so on.  Yet I’ve never seen my children transfixed before a zoo display, or so excited by a given animal’s behaviour, as they were by humble Toady (and this includes the time that a polar bear seemed to be trying to break down a glass wall in order to eat my son).  On the contrary:  they happily move from display to display, admiring the charm of the otter, grace of the snow leopard, or fierceness of the mountain gorilla, like people grazing at a buffet when they’re not really hungry.

So, I’m left wondering if Toady was particularly fun because the children encountered him in a context where the foreground and the background of the experience were united in a meaningful whole.  I mean that in the foreground was…Toady, with his most excellent hopping.  And in the background are numerous things that frame and bestow meaning to the foreground.  There’s the fact that my daughter has spent time in this precise spot every summer since she was born, that we are cultivating a knowledge of this landscape in the children and teaching them to understand that this is their place, that they know that their mother and aunts and uncles played in these waters (and perhaps with Toady’s ancestors!) as children, and that their family is here with them.  And, of course, they are outside with Toady.  They are seeing that the landscape is full of living things that also make claims to the beach, woods and water.

By contrast, the zoo offers a foreground of exciting and often rare animals in approximations of their habitats.  But there is nothing in the background that grounds and holds my children in a way that bestows further meaning on the event.  In fact, although many zoos today are refuges for animals and educational wonders, the reality is that the background they mask can actually be quite ugly: animal trade, loss of habitat, animal rescue and so on.  These are important things to learn about for they too are part of our world, but the lesson from Toady might be that we cannot expect to experience the same intensity of fun when the background and foreground are so divided.  Put them together though, and we have deep fun in all its richness.  We switch-on.

Fun Rules

I interviewed an elegant and articulate woman who told me that she’d once had amazing fun at a small town square dance.  I found her story fascinating, not because she enjoyed the dance, but because she herself seemed half mystified and half embarrassed that she’d enjoyed it.  Indeed, she herself had tried to analyze why it was fun, speculating that perhaps it was the sense of community in the town hall where it was held, and the exhilaration of the dancing.  Yet, when I asked if she’d ever attended another one, or even planned to, she said, “No.” Now this is a woman whom most would describe as upper middle class urbanite.  She’s sophisticated and comfortable in her own skin.  She also knows herself well and usually pursues fun in the form of extreme sports, intellectual pursuits and pretty highbrow theatre.  Why on earth wouldn’t she go square dancing again if she’d enjoyed it so much that it had left her switched-on and virtually high?

I think at least part of the answer lies in the concept of fun rules.

Every culture has a suite of values and norms that encourages its members to adopt particular ideas and behaviors, and conversely, inhibits them from others.  We like to think of ourselves as independent and self-directed, but our expectations, desires and behavior are shaped by many factors beyond our conscious recognition.  Psychology and sociobiology have etched themselves into the popular imagination as two means of uncovering hidden drivers of behavior.  We recognize that we might have unconscious motivations stemming from mysterious Darwinian drives or from formative childhood experiences.  But culture also shapes us – powerfully.  Our everyday and aspirational lifestyles, the rules and habits by which we engage with each other and the natural world, our sense of right and wrong, our orientations to risk, fear and pleasure and so on are all shaped by our culture, as expressed through its history, laws, technologies, institutions, possessions and media.  However, in a given society, all of these elements are so self-evident, so normal, that we tend to take them for granted as natural or inevitable.  It’s a case of most of us following most of the rules most of the time, without ever really stopping to ask ourselves what those rules are, how they’ve come to be, and whether they’re actually optimal for us.

When it comes to fun, culture shapes our views of it in ways that are not always fully visible to us, and that this has discernable impacts on our attitudes and behaviors.  We aspire to certain kinds of fun, see others as appropriate or inappropriate for our gender or social status, admire or abhor others’ ideas of fun, feel entitled to fun, or even feel that fun is a worthwhile pursuit, because of specific cultural inheritances and norms.  If we want to free ourselves up to have more fun, we need to understand how social conventions govern our access to fun, and how we can work with or against them to have more fun.

This can mean moving past what we feel we “should” find fun, and embracing what we do find fun.  It can also mean a whole lot of experimenting, and discovery through action versus our sense of self-knowledge.  We may find that there’s more to us, and more ways available for us to switch-on, than our sense of self or our sense of what’s “right” will readily admit to.

In coming posts, I want to start exploring the fun rules that govern us, and would welcome any comments on the things you think you ought to find fun, but don’t, and the things you think you oughtn’t to find fun but do.

 

 

Transform, have fun and switch on (or big hair and fun)

While a lot of people say that fun is totally subjective, I’ve been learning that if you compare diverse experiences fun, you start to see patterns.  So far, I’ve noticed two distinct patterns.  First, I’ve noticed a pattern in what kinds of activities people find fun.  For example, most people find exploring fun.  Second, I’ve noticed patterns in the characteristics of things we find fun.  For example, we tend to find things that are rare or unusual more fun than those we things we experience every day.  This is good news because, if these patterns hold true, they can point the way towards having more fun. Let me give you an example.

Now, I have to preface this example with a disclaimer:  it's about hair.  My hair.  And we all know that there’s a bit of a taboo in terms of professional women speaking publicly about something so apparently frivolous.  Thankfully, Grant McCracken has been a great forerunner here with his lovely book Big Hair: A Journey into the Transformation of Self, which, if not as personally revealing as the personal account which follows, at least sets a precedent of using hair to explore cultural phenomena.

So here it is:  I had a ton of fun getting my hair done the other day.  The background is this.  My hair, in its natural state, is blonde and curly, and in no ways conforms to the current sleek norm for working women.  But there it is:  I have the most classic “feminine” hair imaginable.  Its unruliness suggests ungovernable emotions and its blondness suggests ditziness.  It is the hair that launched a thousand jokes.

As those who know me are aware, I have tackled this issue in different ways over the years.  I have dyed it brown.  I have had it shorn to a pixie cut.  And, for the past four years, I have straightened it.  However, the other day, on the recommendation my friend, the teacher and mystery writer Francine Volker, I found myself in The Curl Ambassadors, a hair salon that specializes in helping women with curly hair.  Actually, “help” isn’t the right word.  These stylists celebrate curls.  The experience of being there was arguably straightforward:  for $20, a very nice young woman shampooed my hair, gave me advice on how to manage it, dried it and sent me on my way.  We’ve all done this a thousand times, right?  But somehow the whole experience wound up being terrific fun.

So, of course, I had to dissect it to figure out why.  What was different about this particular trip to a salon that made it so fun?

It quickly became clear that the experience was fun precisely because, for me anyway, it contained a number of the properties of fun experiences.  For example, I’d never been to the salon before, so it was a novel experience.  Moreover, the salon is self-consciously feminine, with a color palette of pink, white and silver and pretty, and pretty French-style furniture.  I don’t normally seek out such environments, and there was something really fun about it – like I had a guest pass to being a girly girl for an hour.  Letting someone encourage my hair back to its true nature was also a light or playful thing to do.  I was quite literally playing with an aspect of my appearance.  And there was a degree of uncertainty involved:  what would happen?  What would I look like?  Would I feel silly or strangely empowered to be back to my true self?

But there was also a sense of what this experience was really about, and that somehow added to the fun.  First, it felt highly social, if not quite Steel Magnolias, then at least something beyond the affected coolness of a typical hair salon.  There was camaraderie.  It also felt like a real escape from routine, and even from the strictures of the flat iron and the professional look.  And with that escape, there was a joyous sort of rule-breaking:  for at least an afternoon, no one was going to tell me what I should look like.  Finally, as Grant McCracken’s book argues, there was a sense of fun attached to the possibility of transformation.  I went in looking one way, and came out looking another – with all the marvelous possibility that suggests.

Now this is not to suggest that everyone would find a visit to the Curl Ambassadors fun.  However, I think it’s fair to say that fun exists where certain conditions exist.  Novelty, uncertainty, lightness:  these are characteristics of fun things.  And sociality, exploration, escape and rule-breaking, these are kinds of fun.  Identifying these empowers us to seek out certain experiences that are likely to be fun.

If you feel inclined, please feel free to join the discussion and add examples of fun that demonstrate or challenge this idea of the characteristics of fun.

Do you suffer from fun schizophrenia?

Fun is a great engine to help us switch-on. This should be cause for celebration, because fun is theoretically accessible to everyone, but there’s a hitch:  we are deeply culturally schizophrenic about fun.    On one hand, we regard it with suspicion, as if it’s a fast-moving train that’s going to take us straight to the towns of distraction, decadence and ruin.  This is because most of us over 40 were raised to believe that work and fun are opposite things, with work being the more virtuous.  Case in point: when I was in grade seven, my class had to chant “Long-term satisfaction is better than short-term gratification!” until we got it firmly planted into our little thirteen year old heads.  While this might have been a bit extreme, this ethos, derived from the Puritan work ethic, is built into the foundation of our culture, from various folktales involving better outcomes for squirrels that spend their days collecting nuts instead of playing, to arguments about the importance of restraint and self-discipline in everything from dieting to financial planning.  We might have varnished it over with a glossy layer celebrating leisure and conspicuous consumption, but it’s still there, orienting our thinking and behavior in all sorts of ways.

On the other hand, that varnish of leisure and consumption is really, really shiny.  It dazzles us with promises of pleasure and fulfillment.  In this world, fun is perhaps the most desirable goal, suggesting as it does, that one is beyond needing to worry about being a sensibly-minded squirrel.  Thus, we admire and envy people, like celebrities, who look like they’re having more fun than we are, we dish out small fortunes to buy fun experiences like trips to Disneyland, and we’re suckers for advertising that promises us “fun”, whether it be in our cars, cheese sticks or airlines.

That’s quite a tension to build into one little thing called fun.

And what is this thing anyway?  “Fun” is everywhere, but for all that, it’s strangely undefined.  We have fun dentists, fun workplaces, fun parks, fun cruises, fun buses and fun facts, but as of October 2010, Wikipedia didn’t have a distinct entry on fun - one simply got redirected to “recreation”.  While Wikipedia has since updated it, at the time of writing, their entry on fun is 99 words.  That’s pretty sparse!  (By contrast, Wikipedia’s entry on the Doppler Effect is 2790 words, and includes a handy animated illustration reminiscent of Sheldon’s Doppler Effect costume in the Big Bang Theory.)

Fun also just sounds kind of…inane.  Words like “happiness” and “joy” come trailing clouds of significance and even virtue.  Fun doesn’t.  Typically, when we think of fun, we think of pleasant amusements, entertainment, children’s games, and maybe a little mischief.  Most of us don’t associate it with health and happiness.

But what if we’ve got it all wrong?  What if this is a classic false dichotomy?

I think it is.  Fun isn’t just indulgence, it is the means to health and happiness, and also to creativity and flexibility.  Think about how you feel when you are having fun.  You might feel alert, engaged, uplifted and delighted.  You might be laughing, or smiling, or excited.  Or you might simply feel good, and happy to be alive and in the moment.

Happily, here in the early 21st Century, there is a rising sense of fun’s importance, as exemplified by Daniel Pink’s claims that fun helps to develop creative, right-brained thinking, Jane McGonigal’s belief that fun can lead us to inspired problem-solving and Brian Sutton-Smith and Stuart Brown’s belief that play is adaptive.  Knowing this, we have an argument both to have more fun and to make a claim for it as necessary, both to our own well-being and even our culture.

So, at the start of this holiday weekend for North Americans - banish fun schizophrenia!  You don’t need to be the prudent squirrel, or the hedonistic reality-TV star.  You can be you, through joy.

10 Signs You Need to Switch-on

  1. You watch Madmen and think that, for all their angst, those 60s guys and gals had a lot more fun than we do.
  2. You check your Blackberry before you pee in the morning.
  3. You have a lot of entertainment in your life, but not necessarily a lot of fun.
  4. The seasons are really only relevant to you in terms of planning where to go on holiday.
  5. You believe you would have more fun if you had more time or money.
  6. Your most meaningful relationship is with your “to do” list.
  7. You drink, eat or shop too much just because you have a hunger you can’t satisfy.
  8. You feel like you're spending a lot of time looking after other people's fun, but you don't get enough yourself.
  9. You're not quite sure what to do to have fun.
  10. You have this funny feeling that you’re not living the life you were meant to have.

Gretchen Rubin pretty much hits the problem on the head in her book The Happiness Project.  One day, she had an epiphany:  “I wasn’t depressed and I wasn’t having a midlife crisis, but I was suffering from midlife malaise – a recurrent sense of discontent and almost a feeling of disbelief.... I had everything I could possibly want – yet I was failing to appreciate it.”

Three years before reading The Happiness Project, I had a similar, startling realization. It came during a game at a family reunion.  It was a simple exercise in which my uncle would stand on one side of his cottage and throw an egg clear across the roof to the other side, where the rest of us would vie to catch it.  You can picture it: 3 generations of over-excited family members, lots of enthusiastic screaming, raw egg everywhere. It was glorious, unrefined, ridiculous fun. And in the middle of it, I suddenly thought: Where has all the fun in daily life gone? Is it just me who feels this way? And is this just self-indulgence, or does fun matter?

Three years later, I have the answers to these questions.  First, I know that many others share feelings like Rubin's and mine.  Whether you think of it in terms of being happier or (as I do) simply feeling more alive, it’s clear that many of us feel switched-off when we actually want a richer life.

And there’s one thing we can be certain about: fun does matter. There’s a bill to be paid for feeling switched-off.  For example, not only do we feel lower, but our health can actually be affected because we lack the mental and physical resilience to be at our best. Our social ties are weaker because the glue that binds them – fun, positive experiences – is watered down. Our work and our parenting suffer because we have less to give. We’re less creative and flexible, and more focused on just managing.

All this is why we need to switch-on, but I think there’s one more thing, and maybe this is the most important point of all. We need to switch-on because, arguably, being switched-on is the point of life. Being alive, truly alive – isn't that what makes life lovely and worth living? If we’re not switched-on, why are we here? Don’t we want truly to live?

In my next post, I will start to share initial thoughts on what it takes to switch-on, but in the meantime, I would love to hear your perspective on this.  Are there any other signs of being switched-off you'd add to the list?